Showing posts with label 2000s. Show all posts
Showing posts with label 2000s. Show all posts

Sunday, January 24, 2010

Up in the Air


So what is this one about?
Netflix tells us,
Ryan Bingham (George Clooney) racks up miles flying around the country firing employees on behalf of companies. But he faces losing the job he savors to recent college grad Natalie Keener (Anna Kendrick) -- and losing the ability to escape emotional ties to anything. A connection he builds with Alex Goran (Vera Farmiga), however, might change his outlook on the future. Golden Globe winner Jason Reitman's smart comedy also stars Jason Bateman.
It should probably more accurately say "the ability to escape emotional ties to everything" because that is what it really seemed like he was trying to do. To be an island. (Also, I frequently mistake Jason Reitman and Jason Bateman, I know who both of them are...but their names are just too, too similar!)

And how much did I pay to watch?
For all those times my mother has treated me to movies, I treated her. So I paid $14. Interestingly enough, if we had gone to Cinema DeLux instead, that is what I probably would have paid for only one of us. Thank heavens for locally owned, independent theatres ;)

And what did I think?
When I see television ads for this movie they use a trite description that declares "Up in the Air is a movie for our time!" Except that is really, really, really is! It is an absolutely correct statement. Whether it is that I have never seen one, or that now I am much more aware of, well, everything, I have never seen a movie that so wholeheartedly encapsulates the zeitgeist of a point in time--specifically "these times".

Everyone in the film is so desperate for a connection. Isn't that sort of what popular culture is consistently selling us? All these dating reality shows--where 500 women fling themselves at one man because all of them so badly want that connection (or maybe they just want to be on tv...who knows?)--and the commercials for match.com and eharmony.com and dating.com, isn't that what they are telling us? That in today's world of go-go-go and digital communication instead of face-to-face communication, that we are really all very desperate to connect with people in a very real and authentic way? It seems like if someone wants to make a connection, they can't. And then those that are alone and like being that way, will realize that they actually don't really want to be alone.

So what does any of that actually mean? Well, as far as movie things go, the acting was excellent. Why? Because you really start out not liking the characters, or not caring about them. But at the end you are so wrapped up in them and their issues. It is funny and poignant and affecting. Everything about it was excellent. I don't know if America wasn't suffering from a recession, and the auto industry wasn't in the toilet, and people are trying to blow up airplanes on Christmas, that the movie would have been as absolutely spot on as it was. If the movie had been made in 2002 when Reitman started writing the screenplay it wouldn't have been nearly as excellent as it was when it came out in 2009.

I guess that can be the theme of today's entries. Right place, right time.

So what is the rating? (out of 10)
The movie was absolutely crushing. Just the way I like them. It was exactly, exactly, exactly the sort of sad I like, because sometimes it feels like the sort of sad that my life is when I get to thinking about it. (I am actually a pretty happy person, not really emo at all, but I understand Ryan Bingham's dealy).

This will likely win Oscars--and probably whatever other stupid awards they do before the Oscars--and it will deserve them. But it isn't so stupid and simplistic that it is like the typical Oscar formula (at least, I don't think so). I'd love to read the book, because I love to see the way movies slaughter good books--but I don't think this one was really close to the book, rather more of an adaptation--and then see the movie again.

But for now, I will give it a 10. It is certainly my choice for awards this year. Not that Precious movie... I swear...*shakes head*

9/11

So what is this one about?
Netflix tells us
This heartfelt documentary was created by award-winning French filmmakers Jules and Gedeon Naudet, who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever. The program includes additional footage and interviews with the heroic firefighters, rescue workers and the Naudet brothers, providing exclusive insight to their extraordinary firsthand experience of the day's events.
Woah. Talk about right place, right time.

And how much did I pay to watch?
Got it on the 'flix. But I am not sure how much I paid.

And what did I think?
Well, I rented this one because The Bob and Abe Show recommended it as Bob's favorite (or was it Abe's favorite?) documentary of the decade. (As you have seen, mine would be considered Children Underground). I was interested in what these guys saw in this film.

Now, as I said, right place, right time, for sure. I found the two Frenchie filmmakers very sympathique (as the French would say) and entirely adorable. It was actually the relationship of the two brothers that I found more affecting than the actual 9/11-New York stuff. I am pretty sure that doesn't make me an awful American. (It isn't that I find 9/11 stuff in general un-affecting, but for some reason this movie just didn't really do it for me. Now, if you want to see some 9/11 stuff that just rips your heart out, you gotta come to Washington, to the Newseum--yes, the museum of news--to the 9/11 Gallery sponsored by Comcast: Chronicling the Attack on America and the 11 minute video they have. Talk about the waterworks!)

The conclusion of the film was very shocking. But it was shocking in a nice uplifting way. It was really unexpected--maybe that is why I didn't find the movie that affecting?

I don't know. The footage was amazing. Like nothing you would ever imagine. Ever. I suppose the film is really worth watching for that alone. What was it like on that day on Ground Zero? This is 100% the closest you would ever get if you weren't there (which, of course, I was not. I was safe in my dorm when the 2nd plane hit and was away from Washington in my Political Science 101 class when the plane hit the pentagon--a mere 15 miles from my home) and for that insight this film deserves all the credit it has been given.

I suppose that is the thing about documentaries, eh? The filmmakers don't write scripts, and sometimes the things that happen in the subject's lives write the film and take it in a new direction. For this reason, I suppose, it is one of the truest documentaries that was made in the 2000s, if not in the 20th-21st century. The filmmakers explain in their narration that the events of the day really did change the direction of their film. So, kudos to them for being able to do so very well.

So what is the rating? (out of 10)
For all of the reasons above, I think this film deserves at least an 8. Like I said, it was the relationship between the filmmaker brothers that I was so intrigued by and for some reason the other "plot lines" weren't as affecting. However, it was an excellent achievement brought on by pure luck on the part of the filmmakers (maybe not so lucky for America) and by their ability to take what they had an make it work.

Monday, December 21, 2009

Away We Go


So what is this one about?
The 'flix tells us
Buoyed by the news that they are expecting their first baby, Burt (John Krasinski) and Verona (Maya Rudolph) embark on a journey to locate the perfect place on the planet to raise their child. But their quest inevitably yields many unexpected surprises. Sam Mendes directs this quirky comedy while Allison Janney, Catherine O'Hara, Josh Hamilton, Jim Gaffigan, Maggie Gyllenhaal and Jeff Daniels co-star.
And how much did I pay to watch?
Honestly, with how few netflix movies I've turned around I wouldn't be surprised if it would have been cheaper to purchase it.

And what did I think?
I guess the thing I cannot comprehend at this point in my life is the idea that being married, or even being with another person, will become your life. Like, waking up with the person, doing whatever during the day, and coming back to that person becomes your life. That having a kid and spending all your time with the other person is your life. That whole two of us against the world thing. I just am not at a point in my life where I comprehend that.

I think about other people I know who have lives with a very significant other and I truly have a hard time understanding it. And I don't know if that says I am destined for a life of loneliness or what, but it is sort of depressing.

BUT, this movie was amazing! God, Jim Krazinski is just so flipping cute. And sweet. And adorable!

What was so amazing about it? Well, for one thing, it was hilarious. Allison Janey was out of control. When they go to Arizona we--I mean Mel and I--almost lost our shit. She is hilarious. Jim Gaffigan was funny too. But not nearly as funny as Allison Janey. Then Maggie Gyllenhall was hilarious too, again, not nearly as funny as Allison Janey, in the really uncomfortable Ricky Gervais way.

It was also poignant and heartfelt. The story in Montreal was so excellent and real and sad. And so necessary in the plot. I think this is probably the doing of Dave Eggers--you know, Mr. Depressing real life author of A Heartbreaking Work of Staggering Genius. He wrote this movie with his wife, apparently.

The only thing I didn't especially care for was the ending. And maybe it was because I didn't really want the movie to end or maybe it was because the final seemed sort of obvious. But, either way as a whole it was very enjoyable.

So what is the rating? (out of 10)
This is definitely one that I will purchase. Keep your eye out at Target... my birthday is in March.

I give it a high 9. Like I said, I didn't care for the ending too much but it was otherwise entirely enjoyable!

Eternal Sunshine of the Spotless Mind


So what is this one about?
How is it even possible that I haven't reviewed this movie yet?!?! I started this blog in summer 2008 (when I was in Oregon with D) and I have reviewed every movie I have seen that I haven't already reviewed. How is it possible I haven't watched this movie since then?! How?!?! I barely believe that it is. But, well, here we go!

Eternal Sunshine is my #1 movie of the 2000s decade--as I declared to the Bob and Abe show--AND according to wikipedia
"The film was lauded by critics as one of the best films of 2004, and in recent lists, has been acclaimed as one of the best films of the decade"
so I find it nearly impossible that someone reading this blog wont know the plot, BUT, I will let you know anyway.

The 'flix tells us
"After learning that his mercurial ex-girlfriend, Clementine Kruczynski (Kate Winslet), has undergone an experimental medical process to purge all memories of him, mild-mannered Joel Barish (Jim Carrey) opts for the same procedure. But during the operation, he decides he doesn't want to lose what's left of their relationship and tries to conceal her image in his memory cells."
Brilliant.

And how much did I pay to watch?
I didn't pay anything for this. I own it. And you should too, because it is excellent.

And what did I think?
Well, like I said, I think this is the number 1 movie of the 2000s decade. In fact, I think I will put up my best of list before the end of the year (though, this is neither here nor there). It is not even a contest. But why do I think that?

Well, Michel Gondry is an excellently, creative artist. His films are mesmerizing and a little spacey--sort of cartoonishly hilarious like my favorite episode of Flight of the Conchords Season 2, "Unnatural Love" which he directed--but entirely fun and fresh. I would also recommend The Science of Sleep. Without Gondry's artistic eye this movie would not have been as excellent.

However, without Charlie Kaufman's (whose photo on Wikipedia looks a lot like Gondry's) script, Gondry's direction wouldn't have had the forward motion it needed. That is why ESotSM was so much better than Be Kind, Rewind. Gondry and Kaufman are like the Thomas Jefferson and the George Washington of 2000s film. They are both excellent alone, but they are wildly successful with each other--George Washington was an amazing leader, but without Jefferson's Declaration of Independence as a backing document what would General Washington have been fighting for? Likewise, Jefferson wrote the Declaration of Independence, but without Washington putting the military support behind it, he would have been just another hot intellectual. Wasn't that sort of off topic? Yes.

Ok, so back to the point. What do I love about this? Everything! I know I am being continually vague, so I will try and be more specific.

I love the actors/acting. Kate Winslet, Jim Carrey, Elijah Wood, Kirsten Dunst (sad, sad, Kirsten Dunst), David Cross, Tom Wilkinson and even Mark Ruffalo. Everyone is just so sad. But it isn't sad like Before Sunset sad, but it is a more hopeful sadness. The point is one that I really like. Something like, the people you love you'll love no matter what. The memories of both Clementine and Joel were erased and they still found each other. Even Mary and the Doctor found each other again. There is something so optimistic yet still depressing about that. It is optimistic because it shows that maybe there are people you are really supposed to love and be with in your life. It is depressing because, in Mary's case, sometimes things don't work out but you can't help being in love with the same person. She was right though, erasing your memories is wrong.

Every person you meet in your life--or date, or don't date but want to--they all teach you something about who you are, what makes you happy, or what you are looking for. You can't erase them because they've all made you a little what you are. You eventually stop caring, or missing them, or you wish they just weren't around anymore, but you can't just erase them. (Unless you erase them from facebook or your cell phone book--which is very cathartic and awesome!)

Lastly, it is Gondry's artistic direction. The visuals are so whimsical and they help to break your heart. As the memories are erased and the visuals disappear you, as the audience, feel that vanishing feeling. You want so badly for the main characters to not disappear from each other because you know that they are so good together. And because of the non-linear story you can't really tell that they are going to end up together.

Are those good enough reasons for loving this movie? Answer: yes.

So what is the rating? (out of 10)
The first time I saw this movie it was at the house of a boy who I really liked. He said it was one of his favorites, but I was too busy being excited about being near him that I didn't pay attention to the movie. It was a little too complex for 22 year old Julia to figure out when I wasn't even giving it my attention. I could tell it was good, but I couldn't tell how good. So I would have given it a 7 (but because Netflix has deleted the reviews I wrote I can't give you the official story).

So then I bought it and watched it again, and I felt like I had a grip on what was going on, but I couldn't be sure till I watched it again. And when I did it understood how fantastically amazing it is. So it very deservedly gets a 10. (As if there were any doubt)

Seriously, it is worth the effort. It is so pretty visually, with such a pretty/sad story. You'll like it. Go watch it.